Has been on the air, in one form or another, since the 1960s. The modern Alex Trebek-hosted incarnation of the show—whose famous theme song is now in your head (sorry!)—began in 1984 and still airs about 230 episodes every year. There is an art to a Jeopardy! Its answers-in-search-of-questions exude a certain tone and tenor that’s different from trivia offerings from Who Wants to Be a Millionaire, HQ, The Weakest Link, or even a throwback like You Bet Your Life.
But the writer’s room is also a factory, one that must churn out 61 clues per episode, which adds up to aired during the show’s long run. “There’s a saying in quiz shows,” Wisse says, “that a good question has to get one of three reactions: ‘I knew that,’ or ‘darn I should have known that,’ or ‘I didn’t know that, but now I’m glad I do.’ That’s basically what we’re looking for.” He oversees a staff of eight writers.
Jeopardy Generator
Another eight researchers to double-check the facts. Researchers ensure that the facts are independently verified, and that spellings and other details are correct.
This usually requires two or more independent sources per question. Both the researchers and writers work on what is called “pinning” in the jargon of Jeopardy! Pinning means sorting out that there is for sure only one possible answer. Of course, sometimes as we’ve seen in the show, the judges will accept one of two answers, but that’s the upper ceiling of multiple choices. “If you find that there are half a dozen other rodents also acceptable based on that description you gave of that one squirrel, then you need to rewrite the clue and tighten it up so it’s just the one squirrel,” Wisse says. “Pinning is really a tricky thing.
in my experience, I would not have thought it was such a problem, but there are an amazing number of facts and qualities and assertions that apply to many different kinds of the same thing.” The spark of an idea might come from anywhere—current events, a chance event—but once it does, the writer is responsible for writing that out into a whole category. Thankfully, there are thousands upon thousands of books in the Jeopardy!
Library, stretching back to the Art Fleming era, though Wisse admits there’s still plenty of Internet research that goes into your average question. Still, travel guides and textbooks are regularly updated to ensure they aren’t too out of date.
Wisse oversees the order of the questions, though the writers d.
Jeopardy Blank. THIS IS Jeopardy. With Host.
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Came across reviewing the fonts used on the show, with some images. The page doesn't say what font is used when the text of a clue is occasionally superimposed over a celebrity video read.
I noted the article's dig at 'lack of proper i.e., curly quotes and apostrophes' and wondered what the date was that the show switched to straight quotes (they used to be curly back in the '80s and maybe some of the '90s). Also there seemed to be some curiosity in the article as to why Korinna would be picked given that there are more legible fonts. Well, there might not have been much choice at the time Korinna was picked. According to an August 23, 2014, which I will reproduce below for posterity because I can't find a way to link to it and am not able to access it except through a which will probably be wiped sooner or later, the font was likely one of the few available for the Chyron that would have been able to be made big enough to read on a 13' clue screen at a distance across a soundstage. I also recall it being one of the most popular fonts on TV during the '80s, being used for sitcoms, morning shows, and loads of game shows. I can understand keeping Korinna around on the clue screens to this day, despite the plethora of more readable choices available-tradition, you don't fix what ain't broken, etc. What I can't understand is why the show uses the font in print on the, and on the used by the Clue Crew when recording video clues.
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AUGUST 23, 2014 I'LL TAKE SPORTS FOR $200, ALEX (Lights flash) Tom: “What is Korinna?” Alex: “That is correct!” Early in 1984, Betsy Overly and I were planning the graphics for Pittsburgh Pirates cablecasts. We needed a fresh look and a new font style. Chyron, the company that manufactured the character generator, provided a “font library” for their machine on 8-inch floppy disks. A few dozen styles were available. Some were offered in only one size, but there were several that came in five different sizes, providing flexibility.
One of those, called Korinna Bold, caught our eye. It was a fresh, relatively new font; the modern version had been introduced only ten years before.
It had some flair, with the distinctive shapes of the P and the N and especially the U, yet it was sufficiently bold for sports television. So we chose it to build the full screens and lower thirds that we’d need for baseball. Our new look premiered on a road game on April 6. Unfortunately, by the time the team returned to Pittsburgh, the network was out of business, and our graphics package was never seen again. More details are here.
That same year, however, a long-running game show was being updated with a new host and a new look for syndication. And the producers made the same Chyron choice that Betsy and I had made. Thirty years ago next month, Alex Trebek introduced Jeopardy! With the clues given in Korinna. The font’s still there three decades later. You can’t keep a good idea down.
Here are some other notes. Korinna was also used for the intertitles and closing credits on the 1993-2004 comedy Frasier. Ken Jennings claims that when he had his winning run 10 years ago, the name of the show was still pronounced “jee-OP-ur-dee.”. And why is it called Jeopardy anyway? Alex could say, “I told you that on the very program, when I explained how the game is played. Weren’t you listening?
Do I have to repeat the rules every 30 years?” And for those interested in the original.
One unfortunate trend that continues, however, is the mishmash of used throughout the show. The show’s iconic custom, top-heavy logotype has been a staple of the look for decades. Korinna, notable for its unique capital “U,” has been used in all caps for clue text for decades as well.
Optima, meanwhile, is used to show the Final Jeopardy! Clue on screen as the famous “think music” plays — even when the clue is visible in Korinna on the game board in the background. Category names are rendered in variations of a Helvetica-ish font. Different weights and widths of a Helvetica-ish font also find their way in on the “frames” used during contestant introductions, including a rather awkward collection of three different ones for returning champions. The video and audio Daily Double screens have traditionally used a script typeface of some type, and this season’s graphics are no exception.
The actual “Daily Double” text, however, appears to be in a Helvetica-ish font, whereas in the past it was rendered in yet another typeface. “Jeopardy!” did manage to eliminate one font from its repertoire this season by switching its closing credits to Korinna, a smart move that added an element of consistency, whereas last season an additional typeface was used.
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